A taste of the twenties a sentimental ballad a jazz waltz and some funk-rock are brought together in a suite which explores the lighter side of string playing.Drawing on a variety of poplular styles some less familiar rhythms and bowing patterns and a fresh harmonic framework it offers plenty of new challenges for the string ensemble of moderate ability without overstretching the players technically. Exciting new musical experiences await!

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players.Available here is a set of parts of Light Music for String Orchestra as arranged by Barrie Carson Turner. Set of 21 parts contains: 4 x Violin 1 4 xViolin 2 4 x Violin 3 2 x Viola 1 2 x Viola 2 2 x Cello 1 2 x Cello 2 1 x Double Bass.Score available on CH55817

A Conductor's Guide to Program Development Featuring the Top 100 Intermediate and Advanced Works-This comprehensive guide of intermediate and advanced repertoire highlights 100 of the best compositions and arrangements in print. Annotated in detail – metric and key design performance and program notes alternatechoices of music – it represents all styles of classical and popular music. A grading scale considers both stylistic and technical challenges. Performance topics include repertoire selection program design rehearsaltechniques and score preparation. Music lists from the Renaissance string folios patriotic music arranged for string orchestra and a current contact list of publishers/distributors are included. An invaluable resource for thestring teacher performer and conductor.

The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Maja S. K. Ratkje's Tale Of Lead And Frozen Light for String Orchestra. Full score. Based on the String Quartet Tale of Lead and Light (2011). The original String Quartet was written in the aftermath of the events in Oslo and Utoya July 2011. A source of musical inspiration is Beethoven's “Quartet Op. 59 No. 1.” The ambiguity in the title reflects both hope and dread. Beethoven's light shines through strong and full of life!

In Japan there is an old tale whic has been told since before time began. Two of the most beautiful stars in the night sky are Altair representing Man and Vega representing Woman. These two lovers can meet each other only one time each year on the night of July 7th. Living on opposite sides of the Milky Way they have to ride a ship to meet each other on that night. If it rains they cannot see each other because the river of light in the sky is swollen. The name of the star ship that Altair and Vega ride is called Hoshi no Fune. I wante to express in music the pain of these separated lovers.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

This book which includes 308 tune transcriptions is organized around individual Fiddlers who typically combine Appalachian-style Fiddling with rags pop standards Midwest-style Fiddling and sometimes a touch of Western swingto create a style often identifiable as Ozarks.Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches photographs and tune histories. Another 50 great Ozarks fiddlers are presented in a similarmanner but with less detail.The book and accompanying audio (with 37 tunes many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connectedto bluegrass music and modern contest Fiddling. Some of the tunes in the collection are old standbys such as 'Bile Them Cabbage' while others such as 'Finley Creek Blues' are unique to the region. 

With its recent smash revival Meredith Willson's classic musical continues its legacy as one of Broadway's most treasured productions. This new arrangement for string orchestra captures the musical highlights with three memorablesongs: The Wells Fargo Wagon Goodnight My Someone and Seventy Six Trombones.

The contemporary music of Paul Creston continues to be important repertoire particularly his famous concerti for Marimba and Saxophone. Robert Longfield has adapted this delightfully musical suite of dancesoriginally composed for Piano. This edition to the serious String repertoire is certain to be a contest/festival list choice.